A look at the top tweets from your favourite Bollywood celebrities.
'While censorship of any sort is anathema to the creative spirit, political correctness has become more and more the norm rather than the exception,' notes Uttaran Das Gupta.
Find out which films make it to Sukanya Verma's Top 10 of the year!
I am sad Kundan Shah is no more. I am sad he couldn't make the kind of films he wanted. But I am also grateful. He made me laugh. He made me cry. He made me believe in Hum Honge Kamyab and the power of a shooting star. Sukanya Verma salutes Kundan Shah.
The movie may prove to be another turning point in the recent new wave Malayalam cinema.
Shreyas Talpade reveals how he has survived in Bollywood.
We present our alphabet of 2020, pulling in everything you'll remember about this year we'd rather forget.
Sanjaya Malakar, the first Indian American contestant of the reality hit series survives elimination night despite bad reviews
Tightly done action sequences, lots of glamour and one liners that cater to the classes and the masses is what makes Race 2 worth a watch.
Ang Lee's Life of Pi and Steven Spileberg's Lincoln, produced by Anil Ambani's Reliance-Dreamworks emerge as frontrunners in Oscar 2013 race.
Ko 2 is too dreary to make an impact, feels S Saraswathi.
'... and committed.' 'Priyanka had so much happening in her personal life...' 'Once we started, Priyanka rose to it.'
Riteish Deshmukh talks about his films, being typecast and more...
The film is worth a watch for some good performances.
Apart from the super stardom, there is something else common between Priyanka and Deepika.
'Nobody is sustaining and the movie goers are responsible for it.' When Rishi Kapoor lets loose, all you can do is listen.
'People think Saif and I have a lot of issues but actually, there are none. When we met, we realised the so-called issues were only in the newspapers.' Shahid Kapoor discusses Rangoon and box office numbers.
'I love Chalti Ka Naam Gaadi. I grew up watching it and find it very funny. I am a huge Kishore Kumar fan.' Zoya Akhtar discusses the one thing she loves -- movies!
The Wolf of Wall Street can really please the senses. Just remember to forget your humanity for a while, says Paloma Sharma.
The actor, who passed away this morning, has given us many superb movies.
What Readers thought of Article 15.
Director Ashwin Saravanan's Maya is a gripping supernatural thriller. S Saraswathi recommends.
'Are we seeing the beginning of the communalising of one of the most iconic film industries in the world?' asks Vanita Kohli-Khandekar.
Director AMR Ramesh is back with a story based on Veerappan's life.
Anushka Sharma is at her most impressive in the chilling NH10 but the climax is a bit of a letdown, notes Sukanya Verma.
It's hard to root for Aisa Yeh Jahaan despite its beautiful concept, says Paloma Sharma.
'I didn't want to be the bottom-most in the food chain of a commercial film.' 'I'd rather do something experimental and learn and hope that this translates into somebody noticing me.'
He is India's Spiderman, but Jyoti Raju prefers calling himself Kothi Manusha or Monkey Man.
What's eating the Kapoors? Sukanya Verma gives you some answers.
Babumoshai Bandookbaaz actress Bidita Bag gives us a ringside view of Bollywood.
On the whole, Kaalo scares you -- but only in bits.
At its core, Criminal Justice is a tale of small miscalculations leading to grave consequences, feels Sreehari Nair.
Suraj Sharma, 17, a student from Delhi and the son of two mathematicians, has beaten more than 3,000 other challengers for the role of Ang Lee's Life of Pi.
'My worst experiences in the film world concern money. After signing contracts, they don't pay. You always have to forget your last installment. It is very difficult for an outsider to enter Bollywood. You must either have luck or a Godfather. I have neither.' Bidita Bag discusses her big break.
Did you know that Clark Gable nearly didn't say 'Frankly, my dear I don't give a damn' in Gone With The Wind? Or the film's India connections?
'One week after the release of PINK, audiences in India will witness another strong feminist tale, this one set in rural India,' says Aseem Chhabra.
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